Beyond Noise

Cybernetic Dreams: Hajime Sorayama and Harumi Yamaguchi in conversation with Shinji Nanzuka

Document Journal

Print Features

Martine Gutierrez deconstructs the avatar, in conversation with Zackary Drucker

Hari Nef and Lena Dunham on the complicated communion of performance

Myha’la Herrold pushes the on-screen envelope, redefining the antihero

Pa Salieu is the driving force behind a new cultural narrative

Living at Xanadu: Ten writers muse on Joan Didion’s literary legacy

Gabriela Hearst and Amber Valletta look back to the land to imagine an energized future

Designer Bianca Saunders is redefining the masculine aesthetic

Culture & Opinion

Chasing the ocean state of mind

Saint Joan and her relics

The etiquette of art world gift-giving

Setting the stage for falling in love, or something like it

Is VR the new frontier of inclusivity?

Stars—they’re sort of like us: Julia Fox and Anna Delvey welcome the next era of celebrity news

In a wasteland of golden vibrators, Frank Ocean’s luxury cock ring is a reminder that fringe culture never came from celebrity

Feeld is the dating app for the next sexual revolution

Music & Performance

Bakar makes music for the future, with his heart on his sleeve

serpentwithfeet and Danez Smith on the power of living, bleeding art

Boston Chery does it all, with the Brooklyn community behind them

Patti Smith is on Substack, and she wants to say ‘a late hello’

Photography & Film

Julia Weist’s ‘Governing Body’ questions what we deem indecent in the scope of mainstream cinema

Saint Laurent revisits ‘Sex,’ Madonna’s seminal text on all things desire

“‘The Twins’ is a love letter to Mary-Kate and Ashley, told through the textures of the archive

Remembering Ron Galella, the godfather of American paparazzi

The hedonism and kinship of New York disco, through the lens of Bill Bernstein

You probably haven’t heard about the most egregious Oscars snub

Studio Art

Oscar yi Hou and Louis Fratino are at the vanguard of queer figurative art

Caitlin MacBride and Julia Weist question the institutional archive

For Lutfi Janania Zablah, the botanical world is boundless

Ekene Ijeoma reveals the revolutionary potential of data-based art

Singing the ‘Orchid Blues’”

Fashion

Raul Lopez is a storyteller, and Luar is his diary

Dr. Noki on rule-breaking, ’90s Shoreditch, and the rave uniform

For Spring/Summer 2023, Dior subverts garments of power

Lanvin looks to the 2000s to imagine the future of luxury

Interview Magazine

If They Behave, They Are Welcome: Meet Maria Antonia Cay, the Matriarch of Toñita’s

James Fuentes Press

The publishing arm of James Fuentes Gallery, based in the Lower East Side.

Oscar yi Hou,” an artist’s monograph published in 2022:

Edited by Morgan Becker
Designed in collaboration with Other Means, Brooklyn

Melding critical theory, political critique, poetry, and memoir, this publication focusing on the work and writings of Oscar yi Hou weaves together a meditation on language, relation, and identity. Offering both scholarly and personal explorations of the artist’s oeuvre, yi Hou compels us to ask: What is art after representation?

Containing new essays from Simon Wu, Xin Wang, and Kate Wong, alongside a conversation between yi Hou and fellow artist Amanda Ba, this collection of texts illuminates the expansiveness of yi Hou’s practice. A collection of color plates surveying yi Hou’s artistic practice anchors the center of the book.

Represented in a series of chapters published here for the first time, yi Hou’s own writings entwine poetic and critical reflections on language, queerness, race, relation, and ontology. Intertextual in nature, these text pull from a web of citation, referencing theorists such as Gilles Deleuze, Rey Chow, Roland Barthes, Theresa Hak Kyung Cha, Trinh T. Minh-ha, Édouard Glissant, and José Esteban Muñoz.